BELLANO MARCO

Contacts
E-mail
447a59c2c7d7c7cdcee5fedd4843d2f8
bring this page
with you
Structure Department of Cultural Heritage: Archaeology and History of Art, Cinema and Music
Scientific sector 000000000000 - NON ASSEGNATO
University telephone book  Show
 

Notice and additional information
HISTORY OF ANIMATION 2018-2019

EXAM FILMOGRAPHY: https://goo.gl/MYM8Y5

WHAT TO STUDY: https://goo.gl/vRDGQH


Office hours
Il ricevimento si terrà su appuntamento in luogo da concordare. Si prega ogni studente interessato a un colloquio di contattare il docente.
Office hours by appointment. Please contact the teacher in advance.
(updated on 23/09/2015 12:12)

Curriculum Vitae
Marco Bellano, PhD, is adjunct professor in History of Animation at the University of Padova, Italy. He was formerly adjunct professor in History of Italian Cinema at the Boston University Study Abroad Padova Program, and in History of Popular Music at the Conservatory of Ferrara. He was several times guest teacher of Film Music at the University of Salamanca, Spain. His academic qualifications include degrees in Piano and Conducting from the Conservatory of Vicenza.
In 2014 the SAS-Society for Animation Studies assigned him the Norman McLaren-Evelyn Lambart Award for the Best Scholarly Article; the SAS also co-funded his conference “Il cinema d’animazione e l’Italia” (Padua, 2014). He was Chair of the 29th SAS Annual Conference, "... And Yet It Moves!" (Padova, July 3-7, 2017).
He is associate editor of the cinema journal Cabiria.
He collaborates with many orchestras and cultural organizations; he is vice president of the “Francesco e Paolo Contarini” association for contemporary music.
He wrote the books Metapartiture. Comporre musica per i film muti (2007) and Animazione in cento film (2013, with Giovanni Ricci and Marco Vanelli).
He co-edited (with Giannalberto Bendazzi) a 2017 Animation Journal issue on Italian animation.

Research areas
Prassi contemporanee della musica per il cinema muto.

Musica per il cinema d'animazione.

Publications
Selected publications

Books
Metapartiture. Comporre musica per i film muti (Mestre: CINIT, 2007).
(With G. Ricci e M. Vanelli) Animazione in cento film (Recco: Le Mani, 2013).

Articles
“Contemporary 3D CG animation and the “uncanny valley”: estrangements and returns”, Imago. Re-animation. L’animazione contemporanea tra cinema e nuovi media, a cura di Paul Wells e Christian Uva, n. 16, 2017, pp. 63-77.
“Charlie Chaplin, il cinema muto e la canzone”, Immagine. Note di Storia del Cinema n. 14, 2017, pp. 47-63.
“«Oh… Musica moderna!». Hollywood, satira e ‘modernismo’ nella musica di Giuseppe Piazzi per I fratelli Dinamite, Cabiria n. 178, 2014, pp. 57-70.
“The Silent Maestro. Giacomo Puccini and the Allgemeines Handbuch der Filmmusik”, Kieler Beiträge zur Filmmusikforschung, 11, 2014. http://www.filmmusik.uni-kiel.de/KB11/KB11-Bellano.pdf
“Silent Strategies: Audiovisual Functions of the Music for Silent Cinema”, Kieler Beiträge zur Filmmusikforschung, 9, 2013, http://www.filmmusik.uni-kiel.de/KB9/KB9-Bellano.pdf
“From Albums to Images. Studio Ghibli’s Image Albums and their Impact on Audiovisual Strategies”, TRANS-Revista Transcultural de Música/Transcultural Music Review, 16, 2012, http://www.sibetrans.com/trans
“La dimensione che non c’è. Appunti sull’animazione Disney e l’estetica del tridimensionale”, Cabiria n. 171, 2012, pp. 28-42.
“The Parts and the Whole. Audiovisual Strategies in the Cinema of Hayao Miyazaki and Joe Hisaishi”, Animation Journal vol. 18, 2010, pp. 4-54.
“La spirale. Le disillusioni ipnotiche del cinema di Kon Satoshi”, Ciemme n. 156, 2008, pp. 73-95.

Book chapters
“Il Veneto e l’animazione dopo il 2000: botteghe al centro del mondo”, in Antonio Costa, Giulia Lavarone, Farah Polato, Veneto 2000: il cinema. Identità e globalizzazione a Nordest, Venezia, Marsilio, 2018, pp. 112-117.
“Una nota informativa: tangenze di Bruno Munari con l’animazione”, in Guido Bartorelli (a cura di), Bruno Munari: aria / terra, Mantova, Corraini, 2017, pp. 180-182.
“Origini dell’animazione italiana: epopee di pionieri solitari”, in Davide Giurlando (a cura di), Fantasmagoria. Un secolo (e oltre) di cinema d’animazione, Venezia, Marsilio, 2017, pp. 43-50.
“I fratelli Dinamite di Nino Pagot (1949) e l'idea di ‘bello’ in musica”, in Sergio De Andrés Bailón (ed.), Estudios sobre la influencia de la canción popular en el proceso de creación de música incidental, Salamanca, Ediciones Universidad de Salamanca, 2016, pp. 335-357.
“Painted Orchestras. Orchestration and Musical Adaptation in Fantasia and Fantasia 2000”, in Teresa Fraile, Eduardo Viñuela (eds.), Relaciones Música e Imagen en los Medios Audiovisuales, Oviedo, Ediciones de la Universidad de Oviedo, 2015, pp. 277-287.
“Assieme al vento. La musica nel cinema dello Studio Ghibli”, in Mauro Di Donato, Valentina Valente (eds.), Ascoltare il cinema. Studi sul suono nel film, Bulzoni, Roma, 2015, pp. 137-156.
“La mappa della realtà. Il rotoscopio e l’estetica del realismo nel cinema d’animazione”, in Chiara Costa, Valentina Valente, Mattia Vinco (eds.), Arte tra vero e falso. Atti delle giornate di studio, Padova, 7-8 giugno 2010, CLEUP, Padova, 2014, pp. 159-175.

Editor
(with Giannalberto Bendazzi) Animation Journal, special issue on Italian animation, vol. 25, 2017.

List of taught course units in A.Y. 2018/19
Degree course code (?) Degree course track Course unit code Course unit name Credits Year Period Lang. Teacher in charge
LE0615 COMMON SUP4067142 6 1st Year First
semester
ENG MARCO BELLANO